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The Brown Fairy Book illustrated by Henry Justice Ford, 1st Part

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Andrew Lang's Brown Fairy Book, illustrated by  Henry Justice Ford, was first published in 1904. It was the ninth in the multicolour series.
Henry Justice Ford (1850 - 1944), best known for his collaboration with Andrew Lang on the series of twelve Coloured Fairy Books (1889-1910), had a somewhat unusual career for an illustrator. Born in London, where he spent most of his life, he attended Repton and won a scholarship to Clare College, Cambridge, from which he graduated with a first-class degree in classics. After graduation, he studied at the Slade school of Art with Alphonse Legros and the Bushey school of Art. He exhibited history paintings and landscapes at the Royal Academy between 1892 and 1903. In addition creating illustrations for the Fairy Books, he also produced many historical subjects set from the middle ages to the eighteenth-century for Lang's The Red True Story Book (1895) and other works. He also illustrated The Arabian Nights Entertainments (1895) and Pilgrim's Progress (1921).

Frontispiece


WHAT THE ROSE DID TO THE CYPRESS









BALL-CARRIER AND THE BAD ONE
Far, far in the forest there were two little huts, and in each of them lived a man who was a famous hunter, his wife, and three or four children. Now the children were forbidden to play more than a short distance from the door, as it was known that, away on the other side of the wood near the great river, there dwelt a witch who had a magic ball that she used as a means of stealing children...

 


HOW BALL-CARRIER FINISHED HIS TASK




THE BUNYIP
A story about a group of youths that steal the child of a Bunyip and turn the town into swans.



FATHER GRUMPLER
A fairy tale about Father Grumbler’’s hardships and the Holy Man’s attempts to help him. However, Father Grumbler does not heed the Holy Man’s directions and gets what he deserves.





THE STORY OF THE YARA
A young man and maiden were to be married. However, every night the young man bathed in the small pools in the forest and the Yara sang to him, trying to lure him from his betrothed.




THE CUNNING HARE
A litte hare has no parents and is raised by his grandmother. By great cunning, he is able to catch their dinner and also capture fire by a narrow escape from being eaten himself.


 
THE TURTLE AND HIS BRIDE
A turtle asks a girl to marry him, and she consents, not taking him seriously. He then tries to force her to be his, and she finally gets revenge on him.

 



HOW GEIRALD THE COWARD WAS PUNISHED
Rosald, the son of a poor knight, and Geirald, the son of a rich man, head on a quest commissioned by Geirald’s father. In return for taking care of Rosald’s expenses, Geirald requests that Rosald give all credit of their quest to him. Rosald agrees and his ability to keep his promise proves to change his luck.




HABOGI
Helga, the youngest, prettiest and smartest of three daughters, requests what seems to be the simplest choice for a husband and because she trusts her situation, she receives the most extravagance of the three girls.



The Brown Fairy Book illustrated by Henry Justice Ford, 2nd Part

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HOW THE LITTLE BROTHER SET FREE HIS BIG BROTHER




THE SACRED MILK OF KOUMONGOE




THE WICKED WOLVERINE



THE MERMAID AND THE BOY






PIVI AND KABO



THE ELF MAIDEN



THE ENCHANTED HEAD



THE SISTER OF THE SUN




THE PRINCE AND THE THREE FATES




THE FOX AND THE LAPP



KISA THE CAT



ASMUND AND SIGNY



RÜBEZAHL




STORY OF THE KING WHO WOULD BE STRONGER THAN FATE



WALI DÂD THE  SIMPLE-HEARTED



THE KNIGHTS OF THE FISH




Anatole France: The Gods are Athirst with Illustrations and Decorations by John Austen

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John Archibald Austen ( 5 January 1886 –  27 October 1948) was an English book illustrator. His early works, including a fine Hamlet, were Beardsleyesque in style, but after 1925 he was influenced by the Art Deco movement. Books which he illustrated in this manner include Daphnis and Chloe and As You Like it. Austen used several techniques in his illustrations, including wood-engraving and scraperboard,  and changed styles to suit the text he was illustrating. He was also involved in advertising, producing adverts and several posters.

Frontispiece
THE BLOODY-MINDED LOVER AND THE AMOROUS GIRL




GAMELIN IN HIS GARRET



 HE CLASPED HER TO HIS HEART


 CITIZEN BROTTEUX IN THE BREAD LINE


 MARAT IS DEAD

THE WIDOW GAMELIN








WRETCH, IT IS YOU HAVE KILLED HIM!


VIVE LE ROI! VIVE LE ROI! SHE YELLED

JULIE IN DISGUISE




HAVE ME GUILLOTINED, CAIN! I AM YOUR SISTER! AND SHE SPAT IN HIS FACE




THE REPUBLIC PERISHES. I DIE WITH HER

GOOD - BYE; IT IS THE HOUR MY FATHER WILL BE COMING HOME



Emil Cardinaux: Altmeister der Schweizer Plakatkunst

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Emil Cardinaux kam 1877 in Bern zur Welt. Wie schon sein Namen zeigt, war er jedoch romanischer Abstammung mit Wurzeln im wadtländischen Palezieux. Er war wohl ein begabter, aber etwas zerstreuter und nicht sehr fleissiger Schüler mit einem regen Vorstellungsvermögen. Aber bereits während seiner Schulzeit zeichnete und malte er leidenschaftlich gern. Das untenstehende Plakat mit Matterhorn , das sicher die meisten Schweizer schon irgendwann gesehen haben, weist  mit seiner Maltechnik darauf  hin, dass Cardinaux zu der kleinen Berner Künstlergruppe, die man als Hodlerianer bezeichnete, gehört.
***
1908

 Zu dieser Gruppe ist auch  Cuno Amiet und Max Buri zu rechnen. Es waren dies Künstler, die sich getrauten, einen eigenen Weg einzuschlagen. 1898 ging Cardinaux nach München, wo er sich bei Franz Stuck, einem Mitbegründer der Müncher Sezession weiterbildete. 1903 kehrte er mit der Überzeugung, dass er seinen eigenen Weg finden müsse, in die Schweiz zurück.
Anlässlich eines SBB-Wettbewerbs unter 14 der damals bedeutendsten Maler wurde er für den ersten Plakatentwurf mit einer Ehrenmeldung ausgezeichnet, und zwar für den 1904 in Paris entstandenen Entwurf für den „Oeschinensee".
Der Schokoladenhersteller Villars beauftragte in der Folge Cardinaux mit zwei Plakatentwürfen:  „Der Fuchs und der Rabe" und „Der Rattenfänger von Hameln" 

1905

1905

Emil Cardinaux
Die Liebe zur Bergwelt zeigt sich in seinen Bildern, die sich dann auch in seiner Serie für touristische Plakate niederschlägt.

Alpine Landschaft im Berner Oberland 1909

Verschneite Berglandschaft 1916

Hinterstockensee 1924

Silvaplanersee
Der Einfluss Hodlers ist hier unverkennbar

Plakate für den Tourismus
1906

1909

1910

1911

1913

1914

1915

1916

1918

1919

1920

1921

1921

1921

1921

1922

1923

1923

1924

1928

1928






Emil Cardinaux erkannte als einer der ersten Künstler überhaupt die spezifischen Anforderungen des Plakates an seinen Gestalter. Er formte im Plakat ein eng geschlossenes, von seiner Umgebung so unabhängig als möglich wirkendes Kunstwerk. Cardinaux war sich auch bewusst, dass Plakate eine begrenzte Lebenszeit haben und für Ausstellungsplakate nicht viel Geld zur Verfügung stand. Entsprechend waren keine Dauerkunstwerke gefragt, viel mehr ging es darum mit neuen Ideen, starken Kompositionen und bewusster Farbgebung Aufmerksamkeit zu erringen. Er erkannte folgerichtig, dass das Plakat bei möglichst geringem Kostenaufwand im Steindruck eine hohe Lichtechtheit, große Leuchtkraft und möglichst weit reichende Fernwirkung gewährleisten muss.

1908

1913

1914

1914

1914

1914

1914

1915

1916

1916

1917

1918

1919

1921

1924

Beim Schuhfabrikanten Bally hatte Emil Cardieux anscheinend seinen festen Platz.

1924

1926

1926

1927

1928

 1935

1935

1935

Aber auch Dosenbach war an seinen Plakaten interessiert

1927

Natürlich darf bei einem Plakatkünstler die Pro Juventute nicht fehlen.

 1922

 1923

1926

Mit Cardinauxs Plakaten griff man gelegentlich in den Abstimmungskrieg ein:

1923



1922




1939


Emil Cardinaux leistete ein wichtiges Stück Kulturarbeit für unser Land, das erst heute national sowie international in seiner vollen Tragweite gewürdigt wird. Er war und bleibt einer der wichtigsten und wunderbarsten Künstler der Schweizer Plakatkunst.

The End of Elfintown by Jane Barlow illustrated by Laurence Housman

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Laurence Housman18 July 1865 – 20 February 1959) was an English playwright, writer and illustrator.
He first worked as a book illustrator with London publishers, illustrating such works as George Meredith's Jump to Glory Jane (1892), Jonas Lie's Weird Tales (1892),Christina Rosetti's GoblinMarket (1893), Jane Barlow's The End of Elfintown (1894) and his sister's Were-Wolf (1896) in an intricate Art Nouveau style. During this period, he also wrote and published several volumes of poetry and a number of hymns and carols. (Wikipedia)

Laurence Houseman

















Fairy Tales from Hans Christian Andersen illustrated by Dugal Stewart Walker

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Dugald Stewart Walker (1883-1937) was an American artist associated with the Golden Age of Illustration. His paintings are influenced by Art Nouveau and Impressionism. He created illustrations for Fairy Tales from Hans Christian Andersen (1914), Dream Boats and Other Stories (1918),
The Wishing Fairy's Animal Friends (1921), Rainbold Gold (1922), Synthergen (1923) etc.





















 

































Nights with Uncle Remus by Joel Chandler Harris with illustrations by Milo Winter

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Milo Winter (1888 – 1956) was a well-known book illustrator, who produced works for editions of  Aesop's Fables, Arabian Nights, Alice in Wonderland, Gulliver's Travels,Tanglewood Tales (1913) and others.
He was born in Princeton, Illinois in 1888. He attended the School of the Art Institute of Chicago to receive his art training. He wrote and illustrated his first book, Billy Popgun, which he submitted to Houghton Mifflin in 1912. Since then, Winter worked most of his life in Chicago, illustrating for publishers.

OnJuly 20, 1879 an undersized thirty-year-old journalist from Atlanta known as Joe Harris began a journey from relative obscurity to interregional fame. On that day, the Atlanta Constitution published the young copy editor's"Story of Mr. Rabbit and Mr. Fox as told by
Uncle Remus."Within months, magazines across the country were reprinting his tales, and after more than 1,000 written requests for a collection, the first Uncle Remus book was published in November, 1880. 

At the time, Harris said his purpose was not ethnology, or folklore analysis, but simply documentation. He doubted that his stories and character sketches would have any lasting historical value. He was wrong. ( from http://www.uncleremus.com/ )


 Frontispiece
Uncle Remus and the little boy 






BRER RABBIT'S ASTONISHING PRANK
"HE  TO' DOWN A WHOLE PANEL ER FENCE GITTIN''WAY FUM DAR"

BRER RABBIT'S RIDDLE
 "BRER RABBIT TURNT 'ER ALOOSE, EN DOWN SHE COME - KER-SWOSH"



BRER FOX COVETS THE QUILLS
BRER TARRYPIN, PLEASE LEMME GO!

BRER RABBIT TAKES SOME EXERCISE
"AH-YI! YOU OUGHTER AX ME DAT FUS, BRER COON"


BRER WOLF SAYS GRACE
BRER RABBIT FOTCH A WIGGLE, HE DID, EN LIT ON HE FOOTS.


BRER WOLF FALLS A VICTIM
EF YOU GIT ANY MO' SENSE, SON RILEY, YOU'LL BE DE RUINATION EV DE WHOLE SETTLEMENT


THE FIRE -TEST
 DE LITTLE RABS, DEY PROMISE DAT DEY WON'T OPEN DE DO' FER NOBODY

BRER WOLF STILL IN TROUBLE
EN, BLESS GRACIOUS! DEM AR CREETURS RACKED OFF FUM DAR EN LEF' OLE BRER WOLF UND' DAT AR ROCK


HOW WATTLE WEASEL WAS CAUGHT
HE SORTER HUNCH BRER POSSUM IN DE SHORT RIBS, EN AX 'IM HOW HE COME ON
BRER RABBIT AND BRER FOX
I DUNNER W'EN I BIN SO SORRY 'BOUT ANYTHING EZ I IS 'ABOUT BRER FOX NICE LONG TAIL


BRER FOX'S FISH TRAP
 
HE GIT DE FINEST MESS ER FISH YOU MOS' EVER LAID YO' EYES ON






Poems by Christina Rossetti with Illustrations by Florence Harrison, 1st Part

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There was some dispute whether Florence Harrison was Emma Florence Harrison. However, the artist was definitivly Florence Susan Harrison  (1877–1955) who was Australian. For the whole discussion see:
www.florenceharrison.com/  or the book below:

 Florence Harrison: A Case of Mistaken Identity

In 1908 Blackie commissioned Harrison to illustrate a major gift book destined specifically for the adult market as part of their Fine Art Series. This appeared as Poems by Christina Rossetti. Such was the success of this venture that it soon led to contracts for two similar volumes entitled Guinevere and other poems (Tennyson, 1912) and The Early poems of William Morris (1914).

Harrison never married and with the death of her friend Dinnis at the height of the Blitz she moved to Brighton to live with her cousin Isobel. She was then in her early sixties and remained there until her death in 1955. Her remains lie in an unmarked and untended plot in Hove Cemetery, together with those of her cousin.


Harrison's enduring legacy of beauty remains in her portfolio of works, including some early images that stand alongside those of the very best illustrators Britain has ever produced. I am pleased to have been able to discover her true identity and hope that my efforts will in some small way compensate for her relative anonymity in the 60 years since her passing. May she now take her rightful place alongside the other better-known illustrators of the early 20th century.
Mary Rosalind Jacobs
November 2006




 Frontispiece
And like a queen went down
Pale in her royal crown














 Sucked their fruit globes fair or red

 O Laura, come

White and golden Lizzie stood

For your sake I have braved the glen 
And had to do with goblin merchant men




Through the dark my silence spoke like thunder


 Hark! the bride weepeth

Tedious Land for a Social Prince

If she watches go bid her sleep




So the Prince was tended with care

 You should have wept her yesterday



So they went forth together

 Ah woe is me! Whom I have seen
Are now as though they had not been


My ladies are all fair to gaze upon


 I, if I perish, perish. In the name of God I go






She sleeps a charmed sleep

 Goes singing as it leaps along


Here 's my half of the golden chain




My heart is like a singing bird

Poems by Christina Rossetti with Illustrations by Florence Harrison, 2nd Part

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But not so soon are still the noisy crows



Come with me, fair and false,
To our home, come home


The fisher folk would give a kind strange word to me

Margaret, won't you even look at me?

I like the proud ones best

Of course the village girls,
Who envy me my curls
And gowns and idleness,
Take comfort in a jeer


Meggan piped a merry note

He stood up like a royal man
And claimed her for his bride.



A shadowless spirit kept the gate



In a field or tree there might only such a warm soft sleeping -place found  for me

I wish you were a pleasant wren,
And I your small accepted mate.






From the other world I come back to you.






Winter is cold-hearted


In the room centre stood her husband


Perhaps in farmhouse of her own some husband keeps her cosy.


A summer friend has fled.


Jessie, Jessie Cameron,
Hear me but tis once, quoth he.



Thus she sat weeping,
Thus Eve our mother,
Where one lay sleeping
Slain by his brother


I'm Lady of the Manor now.



Better by far you should forget and smile
Than that you should remember and be sad.


And youth and beauty die


















But sister Maude, oh sister Maude!
Bide you with death and sin


And for your love, my sister dove, I frayed the thief away.



Strike the bells wantonly,
Tinkle tinkle well





I passed from the familiar room,
I who from love had passed away.


Give me the withered leaves I chose before in the old time.

Love, strong as Death, is dead.


Two lilies on a single stem



Young love lies drowsing away to poppied death


"There should be one card more," you said


"I went too far", she said; spoke low; "forgive me, dear."

And went to the garden-walks.



My castle stood of white transparent glass,
Glittering and frail with many a fretted spire,
But when the summer sunset came to pass,
It kindled into fire.

I lit my candle searched from room to room

She stood on inner ground that budded flowers.



Pale spirits, waiting for an overthrow


As in a soft wind, they
Bend all in blessed way.

"The early morning sun" - A new painting by Pierangelo Boog

Michael Sowas Bilder zu Axel Hackes Tierleben

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Michael Sowas Bilder zu HackesTierleben,  im lasierendem Stil alter Meister gemalt, zeichen sich durch einen hintergründigen, oft schwarzen Humor und subtiler Boshaftigkeitaus.
Michael Sowa, geboren 1945, lebt in Berlin. Abschluss eines Kunstpädagogikstudiums. Seit 1975 freier Maler und Zeichner. 1995 mit dem Olaf-Gulbranson-Preis ausgezeichnet.

Der Bär

Der Wellensitich

Der Flamingo

Das Schaf
 

Der Wal
 Bedenkt man, dass ein Pottwalmagen sehr geräumig ist und in einem solchen bei anderer Gelegenheit schon mehr als 28 000 Tintenfische gefunden wurden,...

Die Hyäne

Das Huhn
 
Die Kröte

Der Hering
 

 Die Giraffe

Der Mops

Der Regenwurm

Der Kuckuck
Der Maikäfer
Das 19. Jahrhundert, an dessen Ende Widmann den Maikäfer würdigte, war eine Zeit der Vernichtungsorgien. 1866 wurden auf  Veranlassung des Landwirtschaftlichen Zentralvereins der Provinz Sachsen Maikäfer im Gewicht von 30 000 Zentnern getötet, was einer Zahl von 16 Milliarden Tieren entspricht. (Axel Hacke)

Der Pinguin

Das Chamäleon

Das Nashorn

Der Elefant

Das Buch erschien 1995 im Verlag Antje Kunstmann. Narürlich ein Muss für jeden Liebhaber von Michael Sowa und Axel Hacke.

Otto Baumberger, schweizerischer Plakatkünstler

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Otto Baumbergers Plakate waren in meiner Kindheit eng  mit Ferien und  Schulreisen verknüpft. Sie waren in vielen Bahnhöfen sichtbar. Die vorherrschenden Blautöne wecken eine gewisse Sehnsucht nach weiter Ferne. Jedenfalls empfand ich es zu jener Zeit auf diese Weise. Die untenstehenden Plakate zu touristischen Zwecken belegen das.

1924

1948


1928

1928


1928




1934

1935

1935



1937

1938



1945

Otto Baumberger (1889–1961) wuchs in Altstetten bei Zürich auf. 1904 begann er nach dem Schulabschluss eine Lehre als Dessinateur (Textilzeichner), die er jedoch abbrach. Bis 1907 absolvierte er eine dreijährige Lehre als Lithograph bei Emil Winter in Zürich. Während der Lehrzeit besuchte er die Kunstgewerbeschule Zürich (heute Teil der Zürcher Hochschule der Künste) unter Eduard Stiefel sowie die private Stadlerschule. Ein Stipendium der Stadt Zürich ermöglichte ihm von 1908 bis 1910 Aufenthalte an der Kunstgewerbeschule München, der Akademie der Bildenden Künste München und der Académie Colarossi in Paris. 1910 nahm er erstmals an einer Ausstellung der Zürcher Kunstgesellschaft teil.

Otto Baumberger
Zwischen den 1910er und 1940er Jahren schuf  Baumberger für die verschiedensten Auftragsgeber rund 230 Plakate. Wir zeigen hier eine Auswahl, die soweit wie möglich chronologisch angeordnet ist.

1912

1913

1913

 1913

1913

1915

1916

 1916

 1916

 1916

1916

1916

 1917

1917

1917

1918

 1918

1918

 1918

1918

1919

1919

 1920

 1919

 1920

 1920

1920

 1924

1924

1923

 1924

 1924

1924

1929

1929

1931

Plakate während des 2. Weltkrieges






Technik, Flugschau und Autosport


 1927

 

 
 1932

 
 1938

1939

1934 für Steinfels 




Ich kann mir vorstellen, dass Aufträge für politische Plakate für den Künstler stets heikel sind.
Was soll er tun, wenn er völlig anderer Meinung ist, als sein Plakat verkündet? Es ist bekannt, dass Baumberger für sein Plakat gegen das Stimmrecht für Frauen schwer kritisiert wurde.

1920

1925


1929

1938


The Ingoldsby Legends by Thomas Ingoldsby illustrated by Arthur Rackham, 1st part

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The Ingoldsby Legends is a collection of myths, legends, ghost stories and poetry written supposedly by Thomas Ingoldsby of Tappington Manor, actually a pen-name of an English clergyman named Richard Harris Barham. The legends were first printed during 1837 as a regular series in the magazine Bentley's Miscellany and later in New Monthly Magazine. The legends were illustrated by John Leech and George Cruikshank. They proved immensely popular and were compiled into books published in 1840, 1842 and 1847 by Richard Bentley.
The stories were revived in 1898 with illustrations by Arthur Rackham. However, the joint publishers JM Dent and Co of London and EP Dutton and Co of New York desired "to present the Ingoldsby Legends in something like an'Edition Definitive De Luxe'" and so commissioned Arthur Rackham to re-do the original illustrations and add more for this 'new enlarged format' edition. This De Luxe edition contains 24 stunning 'tipped-in' color plates, 12 tinted plates and more than 60 monotone images, it is the ultimate Rackham... a pure delight.
The first published edition of 1898 was last reprinted 1949.

 Titlepage (De Luxe 1907)
Arthur Rackham wrote to this edition:
In 1898 Messrs. Dent and Co. first published the " Ingoldsby Legends," with about one hundred illustrations of mine. This book has met with a very satisfactory reception, but the publishers have felt with me that, with the addition of some new drawings, a careful overhauling would make it worthy of publication in a more important form, in which greater prominence could be given to the illustrations by better and larger reproductions, including a greater number of illustrations in
colour. To this end the following has been done : The frontispiece and the coloured illustration facing page 508 have been specially drawn, and all the other illustrations in colour have been worked on to a considerable extent, and specially coloured for this edition. A few illustrations in the earlier edition have been omitted, and in their place have been added those facing page 254 and on pages vi, 25, 37, 316, 320 and 333. Many of the pen drawings have been reconsidered and worked on again—those which have been worked on to any great extent being now signed with both dates, 1898 and 1907. Of the rest, reproductions on a larger scale have been made in all but a few cases, and the text has been revised and entirely reset for this edition.
ARTHUR RACKHAM.
Hampstead, 1907.
We show here the pictures of  the 1907 De Luxe edition and, as far as they different, the pictures of 1898 edition reprinted in 1930.

Titlepage 1898, 1930

Around, and around, and around they go (1907)

The Spectre of Tappington

The fair Caroline
 Whipped his long bony legs into them in a twinkling

Came close behind him, ans with the flat side of the spade ...

1898, 1930

Hand in hand the murderers stand
By one, by two, by three! (1907)

There's an old woman dwells upon tappington Moor (1907)

To Tappington mill-dam (1907)

1898, 1930

Patty Morgan the Milkmaid's Story
"Look at the Clock"

The identical face of his poor defunct Wife!

 1907

1898, 1930

Grey Dolphin
A Legend of Sheppey 

 He meditated a mighty draft

"Emmanuel Saddleton, truss up your points, and follow me!"

 One kick! - It was but one! - but such a one.(1907)

1898, 1930

Then there was a pretty to-do, heads flew one way - arms and legs another.
(1907)

1898, 1930

1898, 1930

1907

The Ghost

 His wife would often try the density of his poor skull

If  Orpheus first produced the waltz.
1907

1898, 1930

Beckon'd the Cobbler with its wan right hand


"A Babby"
18989, 1930
A cow may yet be sometimes seen galloping like mad.
1907, the picture of 1898 edition shows the cow without any background. 

Never was man more swiftly disrobed

The little man had seated himself in the centre of the
circle upon the large skull
(1907)

1898, 1930


The Coachman thinks he is driving Old Nick

A man sitting there with his head on his knees!
1898, 1930

The Witches' Frolic

And there gossips sitting there,
By one, by two, by three
1907

Now tread we are a measure
1898, 1930




They can't find the ring


That little jackdaw hops off with the ring

Heedless of Grammar they all cried, "That 's him!"


A Lay of  St Dunstan

 If any one lied, - or any one lied

 1907

 1898, 1930

Peter, the lay-brother, sallow and stare,
peep'd through the key-whole, and - what saw he there?
(1907)

1898, 1930

A flood of brown-stout he was up to his knees in
(1907)

1898,1930

 Limb from limp, they dismember'd him.

And the maids cried "Good gracious, how very tenacious !"
1907

1898, 1930

The Lay of  St Odille


These stiles sadly bothered Odille
1907

1898, 1930

What, indeed, could she do ?
1907

1898, 1930



The Ingoldsby Legends by Thomas Ingoldsby illustrated by Arthur Rackham, 2nd part

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Gaily the Lord Abbot smiled

 Into the bottomless pit he fell slap
1907

1898, 1930

The Lady Rohes
 in the pantry was the holy man discovered, - at his devotions

 Whack!
1907

1898, 1930

The Tragedy

The Duchess shed tears large as marrow-fat peas (1907)

1898, 1930


1907

1898, 1930



Hon. Mr. Suckletthumbkin's Story
The Execution

Which made all the pions Church-mission folks squall

 Some Account of a New Play

 He bounced up and down (1907)

 1898, 1930

He rescued  a maid from the dey of Algiers
 1907

1898, 1930 


"O Lord," he thought, "What pain it was to drown!"


The Black Mousquetaire
A Legend of France

 1907

1898, 1930

Grandville acted on it, and order'd  his tandem


Sir Rupert the Fearless
A Legend of Germany

They'd such very odd heads and such veryodd tails (1907)

 1898, 1930


They came floating about him like so many prawns (1907)


 1898, 1930


Miss Una von  - something


 
In an oak tree...she hung, crying and screaming (1907)




1898, 1930



The Merchant of Venice
A Legend of Italy

 They heard somebody crying, "Old Clo'!"



 The Auto-da-fé

A Legend of Spain








 
 
1907 

1898, 1930

The monks and then the nuns in the dead of the night tumble, all of them, out of their beds in affright (1907)

 1898, 1930

Nell Cook!!
A Legend of the "Dark Entry"

He puts his thumb unto his nose, and he spreads his fingers out!

 Throughout that Entry dark doeth roam Nell Cook's unquiet Sprite (1907)


Tail-piece - Nell Cook

Nursery Reminiscences



Squibb'd my pantaloons and stockings (1907)




Gave me - several flaps behind


Ant Fanny
A Legend of a Shirt

 Cornet Jones of Tenth Hussars


"Ads cuss it! I've spoiled myself now by that 'ere nasty gusset!"



Misadventures at Margate

A legend of Jarvis's Jetty




Twas in Margate last July, I walked upon the pier (1907)

 I took him home to No. 2 (1898, 1930)


The Smuggler's Leap
A Legend of Thanet

 
 It's very odd that Sailor-men should wear those things so loose (1907)








Bloudie Jacke of Shrewsberrie
The Shropshire Bluebeard
A Legend of "The Proud Salopians"


 With iron it's plated and machecollated, to pour boiling oil and lead down;
how you'd frown should aladle-fullfall on your crown  (1907)


1898, 1930


 Till  "Battle-Field" swarms like a Fair


The Babes in the Wood; or the Norfolk Tragedy
An Old Song to a New Tune
 

 The two Misses Tickler of Clapham Rise!



 Wandering about and "Boo-hoo"- ing(1907)




 1898, 1930





Or making their court to their polls and their sues(1907)


1898, 1930



 
Tail -piece - the dead drummer

The Lay of St Cuthbert; or, the
Devil's Dinner-Party
A legend of the North Countree


The horn...Was blown with a loud twenty-trumpeter power (1907)


 1898, 1930
 






The Lay of St. Aloys
A Legend of Blois

Witches and warlocks, ghosts, goblins and ghouls (1907)

1898, 1930

Bid the bandy-legges sexton go run for the May'r!


The Lay of the Old Woman Clothed in Grey
A Legend of Dover


An "Old Woman clothed in gray"


Made one grasshopper spring to the door - and was gone! (1907)
 

 
1898, 1930 






 He enlarged so, his shape seem'd approaching a sphere

Saint Medard
A Legend of Afric


St Medard dwelt on the banks of the Nile
The Lord of Toulouse
A Legend Of Languedoc


In the midst sits the Doctor

The Wedding-Day
Or, the Buccaneer's Curse


The soapy-tailed Sow



The Squire





The Blasphemer's Warning

A Lay of St Romwold

They dash'd up the hills, and they dash'd down the dales

 There were peacocks served up in their pride
1898, 1930

A  tom-cat of Sir Alured Denne's (1898, 1930)
The Brothers of Birchington
A Lay of St Tomas à Becket


They dragg'd the great fishpond the little one tried;
But found nothing at all, save some carp which they fried (1907)



1898, 1930




Ledger in hand, straight "Auld Hornie" appears


The Knight and the Lady
A Domestic Legend of the Reign of Queen Anne


Sir Thomas her lord was stout of limb (1907)

1898, 1930


 Tail -piece - The Knight and the Lady

The House Warming!!
A Legend of Bleeding Heart Yard
Did you ever see the devil dance? - Old Query


Sir Christopher Hatton he danced with grace


A grand pasde deux performed in the very first style by these two (1907)

1898, 1930


Jerry Jarvis's Wig
A Legend of the Weald of Kent



His first thought was to throw it into the pig-stye


When a score of ewes had brought in a reasonable profit (1907)


1898, 1930


We carved her initials



As I laye a-thynkynge, he rode upon his way


 Endpapers 1930


 Bookcover 1907

Philippe Druillet: Gustav Flauberts SALAMBO als Comic

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Hector Berlioz schrieb zu Flauberts Salambo: Ich träume des nachts davon, und mein Herz ist von dieser geheimnisvollen Tochter Hamilkars hingerissen, von dieser göttlichen Jungfrau, Priesterin der Tanit, die aus Liebe zu dem Söldnerführer stirbt, aus Entsetzen über seine Folterungen, und die ihren schönen Verlobten Narr'havas verschmäht. Vor meinen Augen wirbeln riesige Paläste, die ganze gigantische Architektur, durcheinander unter dem schrecklichen Jubel  deieser wilden Ungeheuer, die mit Zivilisation besudelt sind...
Philippe Druillet setzt nun den Roman auf monströse Weise in einen Science Fiction Comic um, wobei das neue Karthago sich im Weltraum befindet.

Man kann hier nur eine Auswahl und Ausschnitte von den grossen Doppelbilder des Comics zeigen, weil das Format den Scanner schlichtweg überfordert.






 


































Philippe Druillet , geboren am 28.Juni 1944 in Toulouse) ist ein französischerComicautor und Comiczeichner. Außerdem entwirft er die Optik von Computerspielen, ist Autor und Filmemacher, Regisseur  und Schauspieler.

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Der deutsche Science-Fiction-Autor Herbert W. Franke würdigte Druillet als Comicautor und -zeichner wie folgt: „Die einschneidende Erneuerung kam in den siebziger Jahren aus Europa, vor allem mit zwei französischen Zeichnern: Philippe Druillet und Moebius. Druillet, zwischen gotischem Horror und barocker Science-fiction angesiedelt, sprengt den traditionellen Rahmen der Comic strips und eröffnet dem Leser ein wahnsinniges und gigantisches Universum, in dem der Mensch keinen Platz findet.“ (Wikipedia)

Arthur Ransome: Swallows and Amazons illustrated by Zdenek Burian

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Arthur Mitchell Ransome (18 January 1884 - 3 June 1967) was an English author and journalist, best known for writing the Swallows and Amazons series of children's books. These tell of school-holiday adventures of children, mostly in the Lake District and the Norfolk Broads. Many of the books involve sailing; other common subjects include fishing and camping.
Translations of his books have appeared in a number of languages. As a result, Ransome became popular in countries such as Japan and Czechoslovakia (now the Czech Republic), where thriving appreciation societies exist. Therefore, it is not surprising that Zdenek Burian illustrated Swallows and Amazons and further books of Ransome.
Im Englischen ist das Buch 1930 bei Cape in London erschienen, schon 1931 kam die deutsche Übersetzung beim Union-Verlag in Stuttgart heraus. Das Bild einer herrlichen Kinderfreiheit wurde in Deutschland jedoch so bald darauf von braun uniformierten Lagerideen überdeckt. In der Folge blieben Ransomes Bücher im deutschsprachigem Raum fast unbekannt. Allerdings erschien 1966 in der Schweiz der Kinderroman in neuer Übersetzung: Der Kampf um die Insel. Der Titel entspricht auch der tschechischen Ausgabe.





Four children, John, Susan, Titty and Roger Walker, are on holiday for the whole summer in the Lakes exploring the islands in their boat (the Swallow of the title). The lake seems at first to be all their own until they run across two local girls, self styled “Amazon” pirates Nancy and Peggy Blackett, who claim ownership of the lake and “Wild Cat Island” by way of a message attached to an arrow fired into the Swallows camp on the island.
All the children meet for a “parley” where it is agreed that the leader of the team that captures the others’ boat will become overall Captain. But in time a truce is called as the Swallows and Amazons join forces against Captain Flint, the Amazons’ grumpy uncle Jim, living on a houseboat with his parrot on the Lake.










Karl Mühlmeister: Bechsteins Märchen, 2. Teil

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Die sieben Geisslein


Das Märchen vom Schlaraffenland


Schneeweisschen


Schwan, kleb' an


Das Dornröschen


Mann und Frau im Essigkrug


Die drei Hochzeitgäste


Der Wettlauf zwischen dem Hasen und dem Igel


Gott überall


Aschenbrödel


Das Märchen von Ritter Blaubart


Bruder Sparer und Bruder Vertuer


Das Gruseln


Natterkrönlein


Der Mönch und das Vögelein


Gevatter Tod


Hirsedieb


Der goldene Rehbock


Der Mann ohne Herz


Des kleinen Hirten Glückstraum


Das Märchen vom Mann im Mond


Zitterinchen


Der Wacholderbaum


Rupert, der Bärenhäuter


Zwergenmützchen


Posters for Bernese Oberland

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Go on  holidays in the Bernese Oberland!


 Amstutz & Herdeg

 Erni Hans 1955

 Koller Louis 1945


 Reckziegel 1901

Artist unknown

 Diggelmann Alex 1935

 Jacomo Muller 1925

 Moos Carl 1930

 Trapp Willy 1935

 Cardinaux Emil 1921

 Colombo Plinio 1937

Dorival Geo 1919


 Ernst Hodel


 Reckziegel Anton 1909

Colombo Plinio 1904

 Claire Etienne 1953


 Borter Klara Cecile 1930

 Reckziegel Anton 1910

Marcel Rene Herrfeldt - erotic images of women

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https://en.wikipedia.org/wiki/Marcel_Ren%C3%A9_von_Herrfeldt

The Pied Piper of Hamlin by R. Browning illustrated by Kate Greenaway

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Kate Greenaway, also called Catherine Greenaway    (born March 17, 1846, London, Eng.—died Nov. 6, 1901, London), English artist and book illustrator known for her original and charming children’s books.


The daughter of John Greenaway, a draftsman and wood engraver, Kate Greenaway grew up in various residences, including a farmhouse in Nottinghamshire, and studied art in various places, including London. She began to exhibit drawings in 1868, and her first published illustrations appeared in such magazines as Little Folks. In 1879 she produced her first successful book, Under the Window, followed by The Birthday Book (1880), Mother Goose (1881), Little Ann (1883), and other books for children, which had an enormous success and became very highly valued. “Toy-books” though they were, these little works created a revolution in the book illustration; they were praised by John Ruskin, by Ernest Chesneau and Arsène Alexandre in France, by Richard Muther in Germany, and by other leading art critics throughout the world.































 









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